![]() ‘Dance of the Elves’, Op.39 by David Popper Interestingly, the waltz, in spite of its title, is not intended to be performed in a single minute but the nickname refers to the fact that the waltz is a miniature piece as opposed to a more extended form.Ĥ. It is included in this article because of its fast tempo (Molto Vivace), and its virtuosity. The Op.64 Waltz in Db major has become one of the most popular of the collection. They cover a large range of styles, some relatively simple, others highly complex and technically demanding. Amongst these pieces were the Chopin Waltzes and these have become form favourites with pianists and concert-goers alike. 1 by ChopinĬhopin is perhaps one of the most renowned composers of the romantic period famed for both his prowess at the piano and his rich compositions. The hectic rush of the opening returns after a brief development section, ending the overture triumphantly.ģ. A calmer central section draws from the second act where Russlan sings of his love for Ludmilla. The speed here is blisteringly fast with brisk scales across the string sections and flutes. In the overture, we hear two of the main melodies from the opera that Glinka takes from the marriage scene. It is, as you would expect of a fairy tale, full of rich Kings, evil dwarfs and fearless heroes. ‘Russlan and Lyudmila’ takes its themes from a Pushkin fairy tale. He is considered by many to the ‘Father of Russian Concert Music’, and this overture comes from the second opera he composed following the success of his first ‘ A Life for the Czar’. ![]() Glinka is a name you do not hear as often in today’s concert halls as you would have once. The Overture from ‘Russlan and Ludmilla’ by Glinka Khachaturian was not impressed by the disproportionate attention this one work of his claimed but it remains one of the fastest and most enduring in the classical repertoire.Ģ. Listen for the alto saxophone in the more tranquil central section that brings a slightly ‘eastern’ quality to the music. It was part of a ballet score he wrote in 1942 titled ‘Gayane’, and it is in this work that the dancers demonstrate their courage and skill in death-defying dances with sabres.The opening of the work is immediately compelling to listen to with it’s repeating quaver theme and trombone slides. Section A returns in related keys.This short but highly charged orchestral work is perhaps the most well-known of Khachaturian’s compositions. Rondo form evolved from the Baroque ritornello form and was often found as the final movement in a symphony, sonata or concerto. After the trio, the minuet returns but without the repeats: Minuet (A) The overall form of the minuet and trio is ternary, but within each section there is usually binary form. The minuet and trio originated from the Baroque dance form. ![]() The minuet and trio was often found in symphonies as an additional third movement, which came before the final movement. is improvised and based on one or more themes from the first movement.is usually played towards the end of the first movement.It is a brilliant dramatic solo passage where the soloist plays, and the orchestra pauses and remains silent. The cadenza is a section found in the Classical concerto. Sections were much longer in the Romantic period, with development sections modulating to more distant keys as well. Instead of modulating to the dominant, composers would choose keys which were less related). In the Romantic period, composers further developed sonata form. ![]() The first movement of Mozart’s Symphony No. The first and second subjects are now both heard in the tonic key.
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