He is a Revson Fellow in Playwriting, and a member of The Writers Guild of America, The Dramatists Guild, SAG and AEA. He has taught playwriting at Sarah Lawrence College, New York University, The 42nd Street Collective, and Playwrights Horizons Theatre School. Augustine wrote for the Fox TV show Titus and for Encore! Encore! with Nathan Lane and Joan Plowright. The New York Times wrote of this play, “PeopleSpeak” (is) a witty and acerbic play that is the best of the Summer Shorts festival.” He and playwright, Willy Conley were commissioned by the National Theatre of the Deaf, to write OH! FIGARO! which toured the United States. His anthology of 20 short plays, Augustine’s Confessions, is published by He is also published in the short play anthologies Take Ten and The Best American Short Plays of 1993-94. His play PeopleSpeak is published in Shorter, Faster, Funnier. John Augustine's plays have been produced in New York City at The Zipper, HERE, Naked Angels, All Season's Theatre Group, Expanded Arts, Ensemble Studio Theatre, Miranda Theatre, Manhattan Theatre Club, and 59E59 Theaters. Adelman served as president of The National Association Of Talent Agents from 1994-2005. Adelman directed theater (including Raffi: A Family Concert on Broadway, on national tour, and for The Disney Channel), composed scores for theater and television, wrote, composed and directed extensively in cabaret, was a member of the Lehman Engel BMI workshop, developed and wrote for sitcoms, participated in the Warner Bros.Television Writer's Workshop, and served as writer/head writer for many network game shows, including The $25,000 Pyramid (for which he is most fondly remembered for having written "things that are purple."). In prior varied lives as a director/composer/lyricist/writer, Mr. Current clients include Sutton Foster, Gary Beach, Shirley Knight, Debra Monk, Walter Bobbie and Tovah Feldshuh. He played a part in discovering and helping develop the early careers of Halle Berry, Woody Harrelson, Bill Pullman, Liev Schreiber, Bebe Neuwirth, Adam Sandler, among many others. Please contact an Artspace advisor for a custom quote.Philip Adelman has been a talent agent since 1979, co-managing the New York Office of The Gage Group since 1980, where he has represented Oscar, Tony and Emmy winners.We generally leave 1/4” - 1/2” of paper showing around the image, to accommodate signatures and for visual appeal.It is now considered the industry standard for artists, museums and galleries throughout the world. 090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. Acrylic GlazingĪll of our frames come with picture quality. All mounting is fully reversible, without any potential damage to the art. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Promotion codes cannotĪll prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. Including commission, shipping, and taxes and duties when applicable. Winning bidders will be contacted within 48 hours to arrange shipping and to provide final price Purchases made from all auctions, including benefit auctions, are subject to sales tax. In the case of multiple bidders placing the same maximum bid, the first person to place the maximumĪmount takes precedence as the highest bid until another bidder exceeds the maximum amount.įor Artspace Auctions winning bidders are charged a 15% Buyer's Premium on top of the hammer price.įor Artspace Benefit Auctions, Buyer's Premiums are not applied. If your maximumīid no longer exceeds the current bid, you will receive an outbid notification email, and have the Winning amount is less than your maximum bid, you will pay the current increment. Unfolds, we will increase your bid by increments to ensure you remain the highest bidder. Spend for a work, though this does not necessarily mean you will pay that price. You should always bid the maximum you are willing to Every bid submitted is treated as a maximum bid.
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